Those of us who know Iphigenia only from Euripides’ tragedies (Iphigenia in Tauris, Iphigenia at Aulis) may be surprised to know that she also had a presence in Greek religion, with temples or shrines at various sites where she received prayers and offerings.
I was seriously tempted to call this piece “Cernunnos: God of Bling”. This may seem a wildly inappropriate way to describe a god revered by neo-Pagans and possibly the divine ancestor of the Gauls, but when so many images of him feature one or more torcs, which are simply enormous gold necklaces, how can you resist?
I thought I was done with deer-goddesses, after the posts on Flidias, hunting goddesses and horned goddesses. Sometimes, however, you’re only done with a subject when it’s done with you. I couldn’t leave this topic without mentioning Carvonia, a Celtic goddess from Central Europe.
Where did the idea that Flidais rode in a chariot drawn by deer come from? It’s not in her main legend, the Táin Bó Flidais, nor in the follow-on story, the Táin Bó Cúailnge. It’s an attractive image, bringing to mind the Middle Eastern goddesses with their lion-drawn chariots, Freyja with her cats, and Nerthus in her wagon drawn by heifers.
Flidais was a figure of Irish mythology, surnamed Foltcháin, “beautiful (or soft) hair”. She had a magical cow, the Maol, as well as herds of cattle and of deer. She is usually considered a goddess of abundance (cows were wealth), sovereignty, feasting, magic, hunting and sexuality. Her dual nature, exemplified in the cows and deer, mingles the domesticated with the wild. Continue reading
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