The Austrian goddess Noreia, like the British goddess Brigantia, has always been dogged by the suspicion that she was a Roman invention rather than a native deity. They both share their name with a Roman province, and worshippers with Roman or Romanized names made offerings to them.
Although Hekate is frequently described in contemporary Pagan texts as a “Dark Goddess” literature and iconography has linked her, for nearly 3000 years, with light. Curiously however, claiming that Hekate is a Goddess of Light can sometimes awaken an almost irrational reaction from individuals who describe her as a Dark Mother, Goddess of the Underworld, Queen of Hell or even as a Goddess of Darkness. However, her most iconic images, even today, depict her with two torches aloft, illuminating the darkness!
Click here for the image at the top.
I reblogged an article on Nemesis, the goddess of rebalancing, last week, but I’m still really intrigued by this goddess, so fearsome and yet widely worshipped. The Greeks built temples to honour her, and the Romans took her cult to the ends of the Roman Empire, from Dacia to Scotland.
Nemesis is a Greek goddess of revenge and retribution. In particular, she is invoked against those whose hubris and arrogance got the better of them, and serves as a force of divine reckoning. Originally, she was a deity who simply doled out what people had coming to them, whether good or bad.
To read more, click here.
For the image at the top, click here.
Áine is the Celtic Goddess of love, the sun, fertility, water, summer and sovereignty. She is honored for her ability to grant abundance and fertility over the land. Being a Goddess of the sun Aine is said to have been given the nickname “bright”.
To read more, click here.
From Bronze Age images through the goddesses of the Eddas to the maiden Menglod (necklace-glad) in the story of Svipdag, jewellery was more than an adornment to supernatural women of Norse myth. Although we don’t know all the lore about goddesses and their necklaces, some does survive.
Greg Hill’s poem ‘Gutuater’ led me to the section on the underground shrine of the Chartres ‘magician’, dated ‘to the second century AD’, in Miranda Aldhouse-Green’s Sacred Britannia (2018). In 2005, during excavations for a car park in the centre of Chartres the construction workers found a ‘basement shrine’ accessed by ‘a wooden ladder and ‘a cache of sacred material, including pottery vessels, oil-lamps and a broad-bladed knife, of the kind used in killing sacrificial animals.’
For more on how the Celtic underworld gods were worshipped, click here.
The image at the top comes from Thomas Stephan, on Unsplash.
Fulla is one of the lesser-known Norse goddesses, described in the Prose Edda as Frigga’s right-hand woman. (Closest comparison Ninshubur and Iris/Hebe?) Her name means “Bountiful”. She only appears in one myth, but we do know a few things about her, thanks mainly to Snorri Sturluson’s efforts to preserve pagan lore for poets.