Airmid, also known as Airmed or Airmeith, is the Celtic Goddess of the Healing Arts. She was a member of the Tuatha De Danaan, the most ancient race of deities in Ireland and just as they did, she had great magickal powers…
Eir is a puzzling figure in Norse mythology. Snorri Sturluson, who set out to explain Norse mythology in his Prose Edda, explains Eir in two different ways in the two main books, Gylfaginning and Skaldskaparmal.
The goddesss Icovellauna’s cult extended across Gaul from Lorraine to the Rhineland-Palatinate in Germany, both in the valley of the Moselle river. We know her from six inscriptions, five from a holy well at Metz, and one from Trier.
Fulla is one of the lesser-known Norse goddesses, described in the Prose Edda as Frigga’s right-hand woman. (Closest comparison Ninshubur and Iris/Hebe?) Her name means “Bountiful”. She only appears in one myth, but we do know a few things about her, thanks mainly to Snorri Sturluson’s efforts to preserve pagan lore for poets.
Nodens ‘the Catcher’ was worshipped across Britain in the Romano-British period. This is evidenced by his temple at Lydney, an inscription at Vindolanda on Hadrian’s Wall, and two silver statuettes found in Lancashire on Cockerham Moss suggesting the existence of a nearby shrine.
In medieval Welsh literature Nodens appears as Lludd Llaw Eraint. Lludd originates from Nudd ‘Mist’ and ‘Llaw Eraint’ means ‘Silver Hand’. A bronze arm found in Nodens’ temple in Lydney supports this link. His iconography and identifications with Mars and Neptune suggest he was a sovereignty figure associated with hunting, fishing, war, mining, healing, water, weather, and dreams. Many of these skills would have depended on his catching hand, which was lost and replaced in silver. Sadly we have no Brythonic stories explaining how Nodens/Nudd/Lludd got his silver hand.
Therefore we must turn to the Irish myths and the story of Nodens’ cognate Nuada Airgetlám ‘Silver Hand’…
It may seem strange that in Roman times the British god Nodens, famous for his healing shrine, was associated with Mars, a god more likely to do damage than to cure it. However, other Celtic “Mars” gods such as Lenus and Ocelus were healers, and not just to soldiers or men, but women and children.
Although it’s common in popular books on mythology to describe the Roman goddess Minerva as a simple copy of the Greek goddess Athena, Minerva evolved as a native Italian goddess, influenced by the Etruscan Menvra.
These three gods have a lot in common: they’re all brawny types whose worshippers were mainly working people, farmers, labourers, miners and even slaves. But what intrigued me about them was that their followers all wore their symbol – the hammer or club each god wielded.
The main star in Scorpio is the 15th brightest star in the sky. Its name means “Rival of Ares” or “Equal to Ares”, because of its brightness and red colour. And its size – Antares is a red supergiant, 3 000 times the size of our sun. (If we switched our sun for Antares, its bulk would extend out to Mars.) A clould of reddish metallic dust surrounds it, five light years in diameter, which makes it look even larger in the night sky.
The Norse sun-goddess is not alone in her splendour – among her neighbours are the Finnish and Baltic sun-goddesses, Beiwe and Saule. Last week I wrote a post comparing Sol with two major Indo-European sun-gods, Helios of the Greeks and Surya of the Indians, but this time I want to see how much the three goddesses have in common.
Comparing her to other sun-goddesses brings out more feminine aspects of her character; for example, spinning was the ultimate in women’s work, so it’s no surprise that the sun-goddesses have to spin their sunbeams. Their daughters, the sun-maidens, do not escape without their share of the work. And all three are nurturing figures, who provide food for animals and people.