Aeracura seems to have been a a goddess of the underworld and of prosperity, whose cult centered on southern Germany and the north-west of the Balkans. The Roman god Dis Pater sometimes accomapanies her, in inscriptions, a statue, and magic spells. She shares her fruitful attributes with the Mothers, and may be a patron of miners.
Serket (also known as Serqet, Selkis, and Selket) is an Egyptian goddess of protection associated with the scorpion. She was worshipped widely in Lower Egypt as a great Mother Goddess in the Predynastic Period (c. 6000- c. 3150 BCE) and so is among the older deities of Egypt. She is associated with healing, magic, and protection, and her name means “She Who Causes the Throat to Breathe”. Her symbols are the scorpion, the Ankh, and the Was Sceptre, all of which convey her benevolent aspects.
Read more at the Ancient History Encylopedia
(Image originally from Flickr, by Merce.)
The Dagda is the head of the Irish pantheon, whose name means the “Good God”. He is head of the Tuatha de Danann, and was king of Ireland between Nuada and Lugh, but he can also take on the appearance and manners of a peasant farmer. He has been compared to his fellow Celts Sucellos and Cernunnos, but he also resembles the Norse god Odin, being changeable and tricky as well as a great magician.
The Egyptian goddess Seshat is one of the lesser-known Egyptian deities, and yet she was an enduring one. Her name means “Female Scribe” and the art of the scribe was her area: the burgeoning state of Egypt needed to keep records, formalize contracts and agreements, and make blueprints for buildings. This made her a useful deity, but also limited her cult, as we shall see.
Considering that she may have started a cosmic war, we know very little about the Norse goddess Gullveig. Her story comes from the Eddic poem Völuspá, which tells how the Aesir riddled her with spears and then burned her three times but couldn’t kill her.
Since the next event in the poem is the war between the Aesir and Vanir, the two groups of Norse deities, it’s always been assumed that somehow this attack on Gullveig started it.
Norse myth tends to echo; one story calling to another. There are at least three stories in Norse myth about a young man passing through a wall of flames and other hazards to reach a woman. This would seem to be a straightforward story of a woman sought and won, except that in two of these stories the young man is a stand-in for another, and only one story has a happy ending.