When the Roman poet Lucan wanted to show the savagery of Gaulish religion, he used the bloodthirsty cults of three Gaulish gods to make his point: Taranis, Toutatis and Esus. While the first two had well-established cults in Gaul and Britain, Esus is more elusive.
The god Toutatis occupies a interesting place in the Gallic pantheon. His name, which means “of the tribe,” could equall well be a title, perhaps hiding another name. Against this, however, we have many artifacts, espeically rings, with his name on them, suggesting it was the commonly-used name for this god.
He is best-known from the Roman writer Lucan, who counts Taranis, Esus and Toutatis as notable for their desire for blood. (And presumably because they were major Gaulish gods.) Although it’s tempting to see them as a Gaulish answer to the Roman Jupiter, Mars and Quirinus, there’s no evidence to back this.
I was seriously tempted to call this piece “Cernunnos: God of Bling”. This may seem a wildly inappropriate way to describe a god revered by neo-Pagans and possibly the divine ancestor of the Gauls, but when so many images of him feature one or more torcs, which are simply enormous gold necklaces, how can you resist?
This blog has frequently lamented the demotion of Pluto. After being expelled from the company of planets, it now resides in the newly-named Plutoids, in the company of Eris, Sedna and other dwarf planets. Another one-time planet suffered a worse, and lonelier, fate one hundred years ago.
This is a post by a Roman polytheist about Freyja. It has a lot of insights into the nature of the Lady, and how similar she is to Odin. All the Vanir are travelling deities, in one way or another, but I think with Freyja this gets overlooked.
There’s certainly no obvious reference to it in the surviving lore, where She’s…
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Mercury, the travelling god, with his hat and staff and cloak, is easily compared to Odin, the god with the wide-brimmed hat, blue cloak, and staff or spear. Both seem to be able to travel through all the worlds, both are connected to the dead, and both are tricky to deal with. Both rely on their cleverness to get them out of sticky situations.
In my first post on Rosmerta, I focused on her as a goddess in her own right. This time around, I want to examine the ideas put forth in Michael Enright’s thesis Lady with a mead-cup, which argues that the cult of Rosmerta and Mercury was the basis for the later cult of Odin and various prophetic, mead-serving goddesses (and others) associated with him.
Since the goddess Rosmerta often (not always) appears with the Roman god Mercury in both inscriptions and art, it is generally assumed that she is his consort, and the images that show her with his attributes indicate that he was the more powerful partner. There is a strong case to be made, however, for reading it the other way around.