Eir is a puzzling figure in Norse mythology. Snorri Sturluson, who set out to explain Norse mythology in his Prose Edda, explains Eir in two different ways in the two main books, Gylfaginning and Skaldskaparmal.
In Norse myth Hel is a place and a person, like the Greek Hades. The word hel means “hidden,” linked to hylja, “to cover”. Lindow speculates it may have referred to the grave at first, since that is where the dead live (171). Both he and Rudolf Simek (138) seem to think Hel was just a personification of the place, perhaps because unlike Hades, she has very little myth attached to her.
Back in the spring I was inspired by Adam Hyllested’s ideas about the Hyldemoer to write my own post about the Elder Mother. This led on to two other posts, on rowan and birch. I assumed that I had exhausted the subject of feminine powers associated with trees, but I was wrong.
A week ago Neorxnawang passed on a link to a paper on the mysterious goddess Ilmr. She appears in a list of goddesses and another of kennings for “woman” in the Prose Edda. Her name also appears in poetry, mostly as – you guessed it – part of a kenning for “woman”. The paper, by Joseph Hopkins, suggests that Ilmr may be an elm goddess, connecting her name to the word almr, elm.
There are many stories in which a heroic character penetrates the otherworld and is challenged by some sort of ogre or other strange being. This challenger may question the hero’s worthiness or ability.
Norse myth has two examples of a female quester who faces a challenge to her fitness and an attempt to thwart her in her aims. In Hyndluljod Freyja has to convince the far-from-agreeable Hyndla to help her protegé win a lawsuit, while in the poem Helreid Brynhildar Brynhild is challenged on her way to Hel by a giantess who questions her ethics and actions.
Thumb-sized figurine discovered in Denmark by amateur archaeologist is the only 3D representation of a valkyrie ever found – and will arrive at British Museum in 2014
The Norse goddess Freyja and the valkyries, choosers of the slain, seem to have a lot in common. Both can take bird-form, are associated with war, magic and death, and take mortal protegés and lovers. Add that to the fact that she and Odin took half of all slain warriors each, and many have concluded that Freyja was the leader of the valkyries, the valkyrie goddess if you will.
In my first post on Rosmerta, I focused on her as a goddess in her own right. This time around, I want to examine the ideas put forth in Michael Enright’s thesis Lady with a mead-cup, which argues that the cult of Rosmerta and Mercury was the basis for the later cult of Odin and various prophetic, mead-serving goddesses (and others) associated with him.