Heimdall is the guardian of the gods, and of their home, Asgard. Why is it then, that the Eddic poem Rígsþula describes him wandering the earth and interacting with humans as if he had nothing else to concern him?
The Norse Myths: a Guide to the Gods and Heroes, by Carolyne Larrington, Thames and Hudson, 2017.
As the title suggests, this book is intended as an introduction to Norse myths, aimed at readers with little or no knowledge of the subject. The author, Carolyne Larrington, is an academic who has written several popular books, including a translation of the Poetic Edda. She has also written books on the green man and the women in Arthurian myth, and co-edited The Feminist Companion to Mythology.
In my post on a possible birch goddess, I mentioned Dea Vercana. Since this goddess and her companion, Meduna, are so neglected, it seems mean not to pass on what I’ve learned about her.
Unfortunately, that’s not much. While it seems likely that she had a cult, even if only locally, all we know about her comes from the fountain bowl and altar inscribed with her name. The altar also mentions Meduna, who is as little-known as her companion.
Women seem to have had their own form of genius, called a juno. (This is a contested idea: the Wikipedia article on Juno denies it completely, while the Brittanica site and the Dictionary of Roman Religion are for it.) However, enough scholars seem to accept the idea that I’m willing to see it as valid. I’m sure even in a society as patriarchal as ancient Rome women took pride in their children and their lineage, and those feelings found their own religious expression.
The porch of an Anglican church might seem like a strange place to find an altar to a pagan goddess. In Lancaster, Co. Durham, however, a stone altar to the goddess Garmangabi coexisted with the established church.